A few examples of appraisal values for
ST PATRICK

• PATRICK NAGEL (1945-1984): SHADESPatrick
  PATRICK NAGEL (1945-1984): SHADESPatrick Nagel, American, 1945-1984 Shades, serigraph pencil-signed lower left, numbered 84/250 lower right; published by Mirage Editions, Santa Monica, California serigraph Dimensions: Sight: 25 x 30 in. (63.5 x 76.2 cm.), Frame: 25 1/2 x 30 1/2 in. (64.8 x 77.5 cm.) Provenance: Artist Patrick Nagel, whose work captured the essence of 1980s Los Angeles, was born in Dayton, Ohio in 1945. His family moved to Orange County, California in his youth, and after serving in the military during Vietnam, Nagel returned to California to earn a degree in painting and graphic design. His proximity to the cultural epicenter of Los Angeles proved fruitful in his work as a freelance artist. Major studios like ABC, MGM, and Universal commissioned Patrick Nagel's prints for their marketing and advertisements.As an artist, Patrick Nagel used clean lines and bold background colors to depict powerful female subjects. His visual aesthetic combined the principles of Art Deco and Japanese woodblocking to create modern classics. Because of his widespread popularity, Patrick Nagel paintings for sale can be found worldwide. Find your ownstriking figural prints at Invaluableand enhance your interior decor. Condition: Framed behind acrylic. The acrylic with tape and residue to upper right and lower left corners, some faint scratches and dark marks. The serigraph with a few pin-head-sized white marks to the upper right corner concentrated to her hair. No apparent tears, repairs, foxing or stains. Not examined out of frame.
• PAINTING, PATSY DOWNS AHERNE-PEPPER
  PAINTING, PATSY DOWNS AHERNE-PEPPER Patsy Downs Aherne-Pepper (American, 20th century), "Water," oil on canvas, signed and titled verso, canvas (unframed): 59"h x 78"w. Provenance: Gifted by the artist Patrick Aherne to the present owner. Note: Aherne-Pepper was the wife of Patrick Aherne, Professor Emeritus at UC Santa Cruz and member of the Santa Cruz Art League.
• PAINTING, PATSY DOWNS AHERNE-PEPPER
  PAINTING, PATSY DOWNS AHERNE-PEPPER Patsy Downs Aherne-Pepper (American, 20th century), "The White," circa 1974, oil on canvas, signed and titled verso, collection label (Crown College UC Santa Cruz, CA) affixed stretcher bar verso, canvas: 60"h x 48"w, overall (with frame): 61.25"h x 49.25"w. Provenance: Gifted by the artist Patrick Aherne to the present owner. Note: Note: Aherne-Pepper was the wife of Patrick Aherne, Professor Emeritus at UC Santa Cruz and member of the Santa Cruz Art League.
• PAINTING, WILLIAM BALTHAZAR ROSE William
  PAINTING, WILLIAM BALTHAZAR ROSE William Balthazar Rose (British, b. 1961), Shades of Green, oil on canvas, signed verso, canvas (unframed): 60.75"h x 81.25"w. Provenance: Gifted by the artist Patrick Aherne and Patsy Downs Aherne-Pepper to the present owner. Note: Rose studied at UC Santa Cruz and was friends with Aherne and Pepper.
• PAINTING, PATSY DOWNS AHERNE-PEPPER
  PAINTING, PATSY DOWNS AHERNE-PEPPER Patsy Downs Aherne-Pepper (American, 20th century), Untitled (Shades of Red), oil on canvas, signed verso, canvas (unframed): 60.25"h x 60.25"w. Provenance: Gifted by the artist Patrick Aherne to the present owner. Note: Aherne-Pepper was the wife of Patrick Aherne, Professor Emeritus at UC Santa Cruz and member of the Santa Cruz Art League.
• MASTON, R. Thomas, (American, 19/20th
  MASTON, R. Thomas, (American, 19/20th C.): ''Christmas Eve at Old St Patrick's Church'', Oil/Canvasboard, 48'' x 36'', signed lower right, The Rochester Memorial Art Gallery Finger Lakes Exhibition affixed verso, encased in Newcomb Macklin gilt carved framed, 53.5'' x 41.5''. St Patrick's was located on Lake Avenue in Rochester, New York, right next to the world-famous Eastman Kodak headquarters. St. Patrick's was Rochester's first Catholic church, founded more than a decade before the city of Rochester was established. St. Patrick's also was the area's first cathedral and served that role for decades before Eastman Kodak Co. bought the property to expand its ever-growing industrial empire. As the center of what became the Catholic Diocese of Rochester, four bishops were consecrated at St. Patrick's. Even after the cathedral was demolished, St. Patrick's lived on until 1979 as a church in the shadows of Kodak's iconic corporate headquarters building. (Democrat and Chronicle).
• MASTON, R. Thomas, (American, 19/20th
  MASTON, R. Thomas, (American, 19/20th C.): ''Christmas Eve at Old St Patrick's Church'', Oil/Canvasboard, 48'' x 36'', signed lower right, The Rochester Memorial Art Gallery Finger Lakes Exhibition affixed verso, encased in Newcomb Macklin gilt carved framed, 53.5'' x 41.5''. St Patrick's was located on Lake Avenue in Rochester, New York, right next to the world-famous Eastman Kodak headquarters. St. Patrick's was Rochester's first Catholic church, founded more than a decade before the city of Rochester was established. St. Patrick's also was the area's first cathedral and served that role for decades before Eastman Kodak Co. bought the property to expand its ever-growing industrial empire. As the center of what became the Catholic Diocese of Rochester, four bishops were consecrated at St. Patrick's. Even after the cathedral was demolished, St. Patrick's lived on until 1979 as a church in the shadows of Kodak's iconic corporate headquarters building. (Democrat and Chronicle).
• UNKNOWN ARTIST, NEW YORK CITY BALLOONS
  UNKNOWN ARTIST, NEW YORK CITY BALLOONS NEAR ST PATRICKS, LITHOGRAPH, SHEET SIZE: 40-1/2 X 26-1/2 INUnknown Artist, New York City Balloons Near St Patricks, Lithograph, Sheet Size: 40-1/2 x 26-1/2 in
• 80's Modernist Patrick Nagel style Painting.
  80's Modernist Patrick Nagel style Painting. Woman with green eyes. Framed. Dimensions: H: 32.5 inches: W: 26 inches --- Condition: Wear and scuffs to frame. Light wear. Additional Message: We offer curbside delivery to NYC, Manhattan, Close Brooklyn, Hoboken about a week after the last auction day at reasonable rates ($125 minimum stop charge). Tentative date August 15, 2023. See details at our website. https://www.uniquesandantiques.com/nyc/
• PATRICK WADLEY (ATX, 1950-1992) SCULPTURE
  PATRICK WADLEY (ATX, 1950-1992) SCULPTURE 'EROS I'Large studio blown art glass sculpture, "Eros I," signed at base P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]90, numbered 9018, with opaque white, black, and cranberry inclusions, parcel gilt accents, cut figural and abstract motifs, on black steel display stand, sculpture: approx 25"h, 9"w, 7"d, overall on stand: approx 40"h, 9"w, 12"d, 37lbs total **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• PATRICK WADLEY (ATX 1950-1992) SCULPTURE
  PATRICK WADLEY (ATX 1950-1992) SCULPTURE 'EROS II'Large studio blown art glass sculpture, "Eros II," signed at base P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]90, numbered 9019, with opaque white, black, and cranberry inclusions, parcel gilt accents, cut figural and abstract motifs, on black steel display stand, sculpture: approx 25"h, 9"w, 7"d, overall on stand: approx 40"h, 9"w, 12"d, 37lbs total **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• PATRICK WADLEY (ATX, 1950-1992) SCULPTURE
  PATRICK WADLEY (ATX, 1950-1992) SCULPTURE 'AGAPE'Large studio blown art glass sculpture, "Agape," signed at base P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]89, numbered 34, with opaque white, black, and cranberry inclusions, parcel gilt accents, cut figural and abstract motifs, on black steel display stand, sculpture: approx 18"h, 8.5"w, 7"d, overall on stand: approx 28"h, 8.5"w, 8"d, 25lbs total **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• PATRICK WADLEY (ATX 1950-1992) ART GLASS
  PATRICK WADLEY (ATX 1950-1992) ART GLASS SCULPTUREBlown and etched glass sculpture, Head, signed P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]88, numbered 8817, on iron display stand, glass sculpture: approx 16.75"h, overall on stand: approx 25.5"h, 19.5lbs total **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• (5) PATRICK WADLEY (ATX, 1950-1992)
  (5) PATRICK WADLEY (ATX, 1950-1992) GLASS PANELS(lot of 5) Unframed and unfinished glass panels, resist film over clear glass, not etched, depicting dancers, and animals, attributed to Patrick Wadley (American, active in Austin, Texas, 1950-1992), (three) double-sided, (one) with partial etching started, unsigned, largest: approx 16 1/8"h, 17.75"w, 25lbs total **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• (4) PATRICK WADLEY (ATX, 1950-1992)
  (4) PATRICK WADLEY (ATX, 1950-1992) GLASS PANELS(lot of 4) Unframed double-sided unfinished glass panels, resist film over clear glass, not etched, depicting dancers, animals, and mythical creatures, attributed to Patrick Wadley (American, active in Austin, Texas, 1950-1992), unsigned, approx 16.5"sq, 20lbs total **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• (4) PATRICK WADLEY (ATX, 1950-1992)
  (4) PATRICK WADLEY (ATX, 1950-1992) GLASS PANELS(lot of 4) Artist manipulated clear glass panels, attributed to Patrick Wadley (American, active in Austin, Texas, 1950-1992), all unsigned, including: (1) double-sided sandblasted glass panel, in black metal frame, approx 5"h, 6.5"w; (1) molded glass panel, depicting abstract architectural elements, approx 7.75"h, 9.25"w; (1) etched and reverse-painted glass panel, central portrait, approx 9", 5.25"w; (1) etched beveled glass panel, depicting a nude female portrait, some small chips to edges, approx 7"h, 5.25"w; 3lbs total **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• (5) PATRICK WADLEY (ATX, 1950-1992)
  (5) PATRICK WADLEY (ATX, 1950-1992) GLASS PANELS(lot of 5) Artist manipulated clear glass panels, attributed to Patrick Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), all unsigned, including: (3) with applied dancing figures in relief, overall with loss to figures and small chips to edges, largest: approx 30"l, 6"w; (2) molded and painted glass panels, each of asymmetrical form, with abstract geometric motifs, largest: approx 30"l, 6"w, some loss to paint; 11lbs total **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• (2) PATRICK WADLEY (ATX, 1950-1992)
  (2) PATRICK WADLEY (ATX, 1950-1992) ETCHED GLASS(lot of 2) Unframed etched colorless glass panels, attributed to Patrick Wadley (American, active in Austin, Texas, 1950-1992), unsigned, each with palm tree motifs, over checkered base, including: (1) depicting architectural elements, small chip to one corner, (1) with dancing female figure, remnants of adhesive residue to base, approx 15.75"sq, 8.2lbs total **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• (5) PATRICK WADLEY (ATX 1950-1992) ETCHED
  (5) PATRICK WADLEY (ATX 1950-1992) ETCHED PANELS(lot of 5) Etched colorless glass panels, unsigned, attributed to Patrick Wadley (American, active in Austin, Texas, 1950-1992), including: (1) double-sided panel with architectural design, approx 24"h, 9.5"w, (4) triangular-shaped panels with stylized floral motifs, slight variations in sizes, largest: approx 17.25"h, 7"w; small chips along unfinished edges, 7.5lbs total **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• PATRICK WADLEY (ATX, 1950-1992) ART
  PATRICK WADLEY (ATX, 1950-1992) ART GLASS PANELMolded and sandblasted glass panel, Overlapping Figures, attributed to Patrick Wadley (American, active in Austin, Texas, 1950-1992), depicting abstract faces and figures in low relief, fitted on metal display stand, unsigned, remnants of resist film, possibly unfinished, some loss and chipping at edge, panel: approx 24"h, 24"w, 1"d, on stand: approx 27.5"h, 24"w, 6"d, 60lbs total **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• PATRICK WADLEY (ATX 1950-1992) ETCHING
  PATRICK WADLEY (ATX 1950-1992) ETCHING PORTALFramed etching on paper, "Portal," signed lower right P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]89, numbered A/P (artist's proof), sight: approx 17"h, 12.5"w, overall: 28"h, 23.5"w, 7.5lbs **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• PATRICK WADLEY (ATX 1950-1992) PAPER
  PATRICK WADLEY (ATX 1950-1992) PAPER COLLAGES(lot of 2) Framed handmade paper collages, signed lower right P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]83, including: (1) "Modern Skyscape," (1) "Palm Angle," with etched glass panel, largest - sheet: approx 9.75"h, 7.75"w, overall: 15.75"h, 13.25"w; 4.75lbs total **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• PATRICK WADLEY (ATX 1950-1992) ETCHINGFramed
  PATRICK WADLEY (ATX 1950-1992) ETCHINGFramed etching on paper, "Qu...ts(?) Pursuit #1," signed lower right P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]89, sight: approx 19"h, 12.5"w, overall: 30 3/8"h, 23 3/8"w, 8lbs **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• PATRICK WADLEY (ATX 1950-1992) ETCHING
  PATRICK WADLEY (ATX 1950-1992) ETCHING PORTALFramed etching on paper, "Portal #1," signed lower right P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]89, sight: approx 17"h, 12.5"w, overall: 28"h, 23.5"w, 7.5lbs **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• PATRICK WADLEY (ATX 1950-1992) ETCHINGFramed
  PATRICK WADLEY (ATX 1950-1992) ETCHINGFramed etching on paper, signed lower right P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]89, numbered 2/ 15, sheet: approx 27.75"h, 19 5/8"w, overall: 33"h, 24 3/8"w, 9.75lbs **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• PATRICK WADLEY (ATX 1950-1992) HANDCOLORED
  PATRICK WADLEY (ATX 1950-1992) HANDCOLORED ETCHINGFramed etching with hand coloring on paper, Untitled, signed lower right P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]89, sheet: approx 18 1/8"h, 12"w, overall: 25 1/8"h, 19 1/8"w, 6lbs **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• PATRICK WADLEY (ATX 1950-1992) ETCHINGFramed
  PATRICK WADLEY (ATX 1950-1992) ETCHINGFramed etching on paper, "Thoughts of Paraphilsmia," signed lower right P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]89, numbered 2/ 15, sheet: approx 27.75"h, 19.5"w, overall: 33"h, 24.5"w, 9.5lbs **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• PATRICK WADLEY (ATX 1950-1992) ETCHINGFramed
  PATRICK WADLEY (ATX 1950-1992) ETCHINGFramed etching on paper, "Qued," signed lower right P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]89, numbered 3/ 15, sight: approx 20"h, 13.75"w, overall: 31"h, 24"w, 8.5lbs **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• PATRICK WADLEY (ATX 1950-1992) PAPERCUTTING
  PATRICK WADLEY (ATX 1950-1992) PAPERCUTTING CITYFramed papercutting, "City," signed lower right P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]81, sight: approx 22"h, 14.5"w, overall: 29.25"h, 21.25"w, 7.5lbs **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• PATRICK WADLEY (ATX 1950-1992) ETCHING
  PATRICK WADLEY (ATX 1950-1992) ETCHING FIGURESFramed etching on paper, Figures, signed in the plate lower right Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]90, lacking glass, sight: approx 19"h, 25.5"w, overall: 25.25"h, 31.75"w, 8.75lbs **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• (4) PATRICK WADLEY (ATX 1950-1992) ETCHINGS(lot
  (4) PATRICK WADLEY (ATX 1950-1992) ETCHINGS(lot of 4) Unframed etchings on paper, signed lower right P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]91, including: (1) "Blind Shadow," inscribed AP (artist's proof), (1) "Figures," numbered 4/ 200, (1) "Just Another Doorway?," numbered 2/ 200, (1) "The Observers," inscribed AP (artist's proof); each sheet: approx 15.75"h, 13"w, 1lbs total **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• (5) PATRICK WADLEY (ATX 1950-1992) ETCHINGS(lot
  (5) PATRICK WADLEY (ATX 1950-1992) ETCHINGS(lot of 5) Unframed etchings on paper, signed lower right P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]91, including: (1) "Blind Shadow," inscribed AP (artist's proof), (1) "Guilty?," numbered 5/ 200, (1) "Just Another Doorway," numbered 1/ 200, (1) "Not Guilty?," numbered 2/ 200, (1) "Silent Dialogue," inscribed AP (artist's proof); each sheet: approx 15.75"h, 13"w, 1lbs total **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• (5) PATRICK WADLEY (ATX 1950-1992) ETCHINGS(lot
  (5) PATRICK WADLEY (ATX 1950-1992) ETCHINGS(lot of 5) Unframed etchings on paper, signed lower right P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]91, including: (1) "Blind Shadow," numbered 3/ 200, (1) "Escaping the City," inscribed AP (artist's proof), (1) "The Observers," inscribed AP (artist's proof), (1) "Silent Dialogue," numbered 3/ 200, (1) "When You Need It," numbered 1/ 200; each sheet: approx 15.75"h, 13"w, 1lbs total **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• (4) PATRICK WADLEY (ATX 1950-1992) ETCHINGS(lot
  (4) PATRICK WADLEY (ATX 1950-1992) ETCHINGS(lot of 4) Unframed etchings on paper, signed lower right P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]91, including: (1) "Daydream Exchange," numbered 5/ 200, (1) "Guilty?," numbered 3/ 200, (1) "Not Guilty?," inscribed AP (artist's proof), (1) "Silent Dialogue," numbered 2/ 200; each sheet: approx 15.75"h, 13"w, 1lbs total **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• LOT) PATRICK WADLEY (ATX 1950-1992)
  LOT) PATRICK WADLEY (ATX 1950-1992) WORKS ON PAPER(lot) Collection of mixed media works on paper, Patrick Wadley (American, active in Austin, Texas, 1950-1992, predominately figure studies/ preparatory works, largest sheet: approx 22.5"h, 32"w **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**
• PATRICK WADLEY (ATX 1950-1992) CONFLICT
  PATRICK WADLEY (ATX 1950-1992) CONFLICT OF HEARTFramed etching with hand coloring on paper, "Conflict of Heart #1," signed lower right P. Wadley (Patrick Wadley, American, active in Austin, Texas, 1950-1992), dated [19]8?, sight: approx 15.5"h, 11.75"w, overall: 26 3/8"h, 22 5/8"w, 7lbs **Provenance: Inherited and maintained in storage for forty years by an heir to the artist Patrick Wadley (American, 1950-1992)**